1887-1927 Born in Madrid, he studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905 he studied painting with the academic artist Jose Maria Carbonero. In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Leger, and in 1915 he was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris "was the one person that Picasso would have willingly wiped off the map.") Portrait of Picasso, 1912, The Art Institute of Chicago.Although he submitted darkly humorous illustrations to journals such as Le Rire, L'assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910. By 1912 he had developed a personal Cubist style. At first Gris painted in the analytic style of Cubism, but after 1913 he began his conversion to synthetic Cubism, of which he became a steadfast interpreter, with extensive use of papier coll??. Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse. In 1924, he first designed ballet sets and costumes for Sergei Diaghilev and the famous Ballets Russes. Gris articulated most of his aesthetic theories during 1924 and 1925. He delivered his definitive lecture, Des possibilit??s de la peinture, at the Sorbonne in 1924. Major Gris exhibitions took place at the Galerie Simon in Paris and the Galerie Flechtheim in Berlin in 1923, and at the Galerie Flechtheim in D??sseldorf in 1925. He died in Boulogne-sur-Seine (Paris) in the spring of 1927 at the age of forty, leaving a wife, Josette, and a son, Georges.  Related Paintings of Juan Gris :. | The Still life having egg and bottle | Still Life with Checked Tablecloth | Fruit dish and bottle | Egg | Tile Bottle and cup |
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Antonio Joli
1700-1777 Italian Antonio Joli Gallery Born in Modena, he first apprenticed with Rafaello Rinaldi. He then worked in Rome with Panini and the Galli-Bibiena studio. He became a painter of stage sets for the theater in Modena and Perugia. By 1735, he had moved to Venice and stayed till 1746, when he traveled to Germany, London (1744-48), and Madrid (1750-54). In London, he decorated the Richmond mansion of the director of the King's Theater at Haymarket, John James Heidegger. He returned to Venice in 1754, where he became on of the founding members of the Accademia di Belle Arti di Venezia. He traveled to Naples in 1762, and stayed there until he died.
Ernst Josephson
1851-1906 Swedish Ernst Josephson Gallery was a Swedish painter from a prominent Jewish family, whose main work was done on portraits and paintings of folk life. He did his art studies in Italy, France and the Netherlands, among others, and is reputed to have said at the age of 20: "I will become Sweden's Rembrandt or die." However, his life was marred by illness. He contracted syphilis at a relatively young age, and in 1888 he became mentally ill during a visit to Brittany, having religious hallucinations and believing that he was God and Christ. He was later taken to hospital in Uppsala and diagnosed with schizophrenia, but continued working throughout his disease, often while in a trance-like state. He also wrote poetry, in the collections Svarta rosor (1888, Black Roses) and Gula rosor (1896, Yellow Roses). His main work, Strömkarlen (1884, the Nix), was refused by the Swedish National Museum in Stockholm - however, Prince Eugen, Duke of Narke, bought the painting in fury over the decision. Grandfather of Erland Josephson.
Edwin Austin Abbey
1852-1911 Edwin Austin Abbey Gallery Edwin Austin Abbey (April 1, 1852 ?C August 1, 1911) was an American artist, illustrator, and painter. He flourished at the beginning of what is now referred to as the "golden age" of illustration, and is best known for his drawings and paintings of Shakespearean and Victorian subjects. His most famous work, The Quest of the Holy Grail, resides in the Boston Public Library. Abbey was born in Philadelphia, Pennsylvania in 1852. He studied art at the Pennsylvania Academy of the Fine Arts under Christian Schuessele. Abbey began as an illustrator, producing numerous illustrations and sketches for such magazines as Harper's Weekly and Scribner's Magazine. His illustrations began appearing in Harper's Weekly at an early age: before Abbey was twenty years old. Abbey was an illustrator with Harper's Weekly from 1871-1874. He moved to England in 1878 where he was made a full member of the Royal Academy in 1898. In 1902 he was chosen to paint the coronation of King Edward VII. It was the official painting of the occasion and, hence, resides at Buckingham Palace. In 1907 he declined an offer of knighthood in order to retain his U.S. citizenship. Friendly with other expatriate American artists, he summered at Broadway, Worcestershire, England, where he painted and vacationed alongside John Singer Sargent at the home of Francis Davis Millet. He completed murals for the Boston Public Library in the 1890s. The frieze for the Library was titled "The Quest for the Holy Grail." It took Abbey eleven years to complete this series of murals in his England studio. In 1908-1909, Abbey painted a number of murals and other artworks for the rotunda of the new Pennsylvania State Capitol in Harrisburg, Pennsylvania. His works in that building include allegorical medallions representing Science, Art, Justice, and Religion in the Capitol Rotunda, large lunette murals underneath the Capitol dome, and a number of works in the House Chamber. Unfortunately, Abbey became ill with cancer in 1911 slowing his work. At the time, he was working on the "Reading of the Declaration of Independence Mural" which was later installed in the House Chamber. Abbey was so ill, that his studio assistant, Ernest Board completed the work with little supervision from Abbey. Later in 1911, Abbey died, leaving his commission for the State Capitol of Pennsylvania unfinished. John Singer Sargent, a friend and neighbor of Abbey, and studio assistant Board completed the "Reading of the Declaration of Independence Mural." Abbey's works were installed in the Rotunda and House Chamber. Two rooms from Abbey's commission were left undone, and the remainder of the commission was given to Violet Oakley. Oakley completed the works from start to finish using her own designs. Abbey was elected to the National Academy of Design and The American Academy of Arts and Letters. In 1937 Yale University became the home for a sizable collection of Abbey's works, the result of a bequest from Abbey's widow.